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Summary
After a tough breakup with Katara, Aang reluctantly agrees to help Zuko find his mother along with Azula. Expecting nothing but a disaster of a trip, he's quickly surprised as he finds out more about the fallen princess than he would have ever expected.
Based on "The Search" and "Smoke and Shadow" Comics.
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Wind and Fire by RedwoodSorrow
Fandoms: Avatar: The Last Airbender, Undertale (Video Game)
28 Jan 2023
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The Avatar has the greatest power of all. Determination. The ability to persist through even the most trying of circumstances. But with the weight of the world on his shoulders, and an equally determined princess after him, will it be enough to restore balance?
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She found him in a wheat field.
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Aang has always been a carefree person. He attained the title of youngest airbending master on the planet, but he never took that title too seriously. But when Aang is declared the next Avatar just after he graduates high school, he decides that some things must change if he has to fulfil his duties while still having a normal life.
Azula has always been a cautious person. Even when she became a world-renowned firebender at age eighteen, she never stopped taking her duties seriously. But when she gets into her dream university and meets her fellow students, she decides some things must change if she wants to get along with her fellow students.
Modern-day Azulaang
*ON HIATUS*
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The New York Philharmonic and the Metropolitan Opera, and their conductors Maestra Azula and Maestro Aang, have announced that their orchestras will embark on a Gustav Mahler festival, where both orchestras and both conductors will perform many of the famous composer’s works in a two-week extravaganza. Naturally, this once-in-a-lifetime opportunity to see two young superstars of the classical music world in rapid succession shocks many.
The reason for the shock? These two hate each other. It is well known in the classical music world that the carefree and easygoing music director of the Met detests his dictatorial counterpart on the Philharmonic podium, and it is well known that the decisive and assertive music director of the Philharmonic deplores her sloppy counterpart in the Met Opera pit. How in the world did they agree to this?